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  • 6
    Feb
    2013
    3:46am, EST

    Picasso portrait of his mistress sells for $45 million at auction

    Carl Court / AFP - Getty Images

    'Femme assise pres d'une fenetre' (A woman sitting by a window) by Spanish artist Pablo Picasso, sold for $45 million at Sotheby's auction house in central London.

    By Mike Collett-White, Reuters

    LONDON -- A Pablo Picasso portrait of his mistress and "golden muse" Marie-Therese Walter sold for $45 million on Tuesday, leading an important Sotheby's auction of impressionist, modern and surrealist art.

    The sale was the first of a series held in London this month by Sotheby's, Christie's and smaller auction houses in the latest barometer of the strength of the high-end art market.

    Prices for the most sought-after works have soared in recent years despite broader economic concerns, with collectors in China, Russia and the Middle East joining more established patrons in Europe and the United States.

    Subtracting the buyer's premium of more than 10 percent, the amount realized for the 1932 Picasso was at the lower end of pre-sale estimates of $39 million-$55 million.

    Nonetheless, it was comfortably the top lot of an evening when a series of works on paper by Austrian artist Egon Schiele arguably stole the limelight.

    Schiele's 1914 "Lovers (Self Portrait With Wally)" fetched $12 million, an auction record for the artist for a work on paper.

    Also sold by the Leopold Museum in Vienna was his "Self Portrait in Green Shirt with Eyes Closed" which sold for $8 million, well above expectations of between $3 million and $4 million.

    The combined tally for Schiele works, sold by the museum to help settle a long-running restitution case involving art deemed to have been stolen by the Nazis in the 1930s, was $22 million.

    'Strongest offering in many years'
    Other lots fared less well, notably Max Beckmann's "Before the Ball - Two Women With a Cat" which went unsold despite pre-sale estimates of $8 million-$13 million.

    Overall the evening brought in $189.4 in sales, within expectations of $161 million-$233 million. Sotheby's said it was their second highest total from an equivalent sale in London.

    "Bidders, both new to the market as well as seasoned buyers, reacted with great enthusiasm, in particular to the selection of impressionist works that were considered to be the strongest offering in many years," said Helena Newman, chair of Sotheby's impressionist and modern art in Europe.

    Christie's, the world's largest auction house, holds its sale in London on Wednesday.

    Related: 

    Art sleuth recovers stolen Matisse

    Rare drawing by Raphael sells for record $48 million

    Rockwell painting sells for $2.8 million

    38 comments

    I don't care if it's a Picasso or not, the man or woman who paid $45 million for a picture of an ugly hag a grade-schooler could draw is an absolute fool. In this day and age where the world economy is in such a state of flux, using that kind of money to for such nonsensical symbols of status is rid …

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    Explore related topics: art, auction, london, featured, pablo-picasso, sothebys, golden-muse
  • 29
    Dec
    2012
    5:43pm, EST

    Statue of Hitler praying is displayed in former Warsaw ghetto to controversy

    Tomasz Gzell / EPA

    The statue of Hitler as a schoolboy kneeling in prayer is visible through this viewing hole as part of an exhibit in Warsaw, Poland.

    By Isolde Raftery, NBC News

    A statue of Adolph Hitler kneeling in prayer in a courtyard in the former Warsaw Ghetto – where hundreds of thousands of Jews were forced by Nazis to live in inhumane conditions during World War II – has upset those who say the statue's placement is offensive.


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    The Simon Wiesenthal Center, a Jewish Advocacy group, described the decision to place the statue in the former ghetto as “a senseless provocation which insults the memory of the Nazi’s Jewish victims,” according to the Guardian of London.

    Before World War II, Warsaw had the largest Jewish community in Poland and Europe; worldwide it was second only to New York City, according to the Holocaust Encyclopedia. During World War II, about 300,000 Jews in the ghetto died – most of hunger and disease and after being sent to concentration camps where they were killed.


    Tomasz Gzell / EPA

    Through the hole in a wooden gate, viewers can see a kneeling figure with his back turned. Viewed from the front, that figure is Adolph Hitler, the leader of the Nazi party who sought to exterminate Jews.

    Organizers argue that the statue is intended to be thought-provoking, according to The Associated Press. The exhibition’s catalogue says art “can force us to face the evil of the world.”

    The statue, made by Italian artist Maurizio Cattelan in 2001, is titled, “HIM” and has drawn thousands of viewers since it was installed in Warsaw last month.  

    The body of the statue is of a schoolboy kneeling in prayer, and the head is made to resemble Hitler’s. Before being installed in Poland, the statue was shown in galleries, usually at the end of a long hallway with its back to viewers. Only when viewers approached could they see Hitler’s face. Reviewing an exhibit at the Guggenheim Museum in 2011, The New York Times described the statue as “Hitler as a kneeling schoolboy possibly asking forgiveness.”

    Cattelan created a similar effect in the former ghetto, where the statue is visible only through a hole in a wooden gate. Cattelan, who is based in New York, has been described as a satirical artist who produced another piece that generated controversy in Warsaw -- an effigy of Pope John Paul II being crushed by a meteorite. Titled “La Nona Ora,” or “Ninth Hour,” the work was also displayed in Poland, a deeply Catholic country.

    Zofia Jablonska, 30, told The Associated Press that she thought the best spot for the statue was in “the place where he would kill people.”

    Poland’s chief rabbi, Michael Schudrich, was consulted about the installation, according to the Guardian, and said he believes it has educational value. Rather than support Hitler, Schudrich told the Guardian it shows that even evil lurks in the shape of a “sweet praying child.”

    More world stories from NBC News:

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    Follow World News from NBCNews.com on Twitter and Facebook

    483 comments

    What gang of idiots thought that anything to do with Hitler could be "thought provoking.,..?? Destroy it...

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    Explore related topics: art, poland, nazi, world-war-ii, adolph-hitler, judaism, maurizio-cattelan
  • 26
    Nov
    2012
    4:44am, EST

    Turning garbage 'into gold': Nepali artists transform Everest litter into art

    Reuters

    A visitor takes a closer look at art made from trash picked from Mount Everest at a visual art symposium in Kathmandu on Nov. 20.

    By Reuters

    KATHMANDU, Nepal -- Fifteen Nepali artists were closeted for a month with a heap of 1.5 tons of trash picked up from Mount Everest. When they emerged, they had transformed the litter into art.


    Follow @NBCNewsWorld

    The 75 sculptures, including one of a yak and another of wind chimes, were made from empty oxygen bottles, gas canisters, food cans, torn tents, ropes, crampons, boots, plates, twisted aluminium ladders and torn plastic bags dumped by climbers over decades on the slopes of the world's highest mountain.

    Kripa Rana Shahi, director of art group Da Mind Tree, said the sculpting -- and a resulting recent exhibition in the Nepali capital of Kathmandu -- was aimed at spreading awareness about keeping Mount Everest clean.

    "Everest is our crown jewel in the world," Shahi said. "We should not take it for granted. The amount of trash there is damaging our pride."

    Nearly 4,000 people have climbed the 29,035-foot Mount Everest, many of them several times, since it was first scaled by New Zealander Sir Edmund Hillary and Tenzing Norgay Sherpa in 1953.

    Although climbers need to deposit $4,000 with the government, which is refunded only after they provide proof of having brought the garbage generated by them from the mountain, activists say effective monitoring is difficult.

    PhotoBlog: Nepali teen says she is youngest woman to climb Mount Everest

    Climbers returning from the mountain say its slopes are littered with trash, which is buried under the snow during the winter and comes out in the summer when the snow melts.

    'Nothing goes to waste in art'
    The trash used in the art works was picked up from the mountain by Sherpa climbers in 2011 and earlier this year and carried down by porters and trains of long-haired yaks.

    Laurence Tan / Reuters, file

    A basket of garbage sits at Everest Base Camp, with the Himalayan range seen in the background, in May 2011.

    The yaks were commemorated in one work. For another, empty oxygen cylinders were mounted on a metal frame to make Buddhist prayer wheels.

    Another, by wall painter Krishna Bahadur Thing, is a Tibetan mandala painting showing the location of Mount Everest in the universe -- made by sticking yellow, blue and white pieces of discarded beer, food cans and other metals on a round board.

    Climbers hoping to conquer the world's tallest peak hit a bottleneck over the weekend when the weather cleared, which caused a greater number of climbers to attempt the same route without the ability to pass one another. NBC's Stephanie Gosk reports.

    Visitors said they were amazed at the way waste products were turned into useful items.

    "It shows that anything can be utilised in an artistic way and nothing goes to waste in art," said 18-year-old fine arts student Siddhartha Pudasaini.

    Complete World coverage on NBCNews.com

    The art is on sale for prices from $15 to $2,300, with part of the proceeds going to the artists and the rest to the Everest Summiteers' Association, which sponsored the collection of garbage from the mountain, organizers said.

    "Garbage on Everest is shameful. We are trying to turn it into gold here," association chief Wangchu Sherpa told Reuters.

    More world stories from NBC News:

    • Egypt's Morsi says he wants to stabilize country
    • More than 100 killed in Bangladesh factory fire
    • Drug gang bust in Honduras nets $100M assets
    • Irish editor who published pics of naked Kate Middleton resigns
    • Scientists rush to save manta rays, the 'pandas of the ocean'
    • Despite troubles at home, Egypt's Morsi is pivotal player in Mideast

    Follow World News from NBCNews.com on Twitter and Facebook

     

    Copyright 2013 Thomson Reuters. Click for restrictions.

    21 comments

    I guess pictures are out of the question.

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    Explore related topics: art, everest, nepal, south-asia, garbage, featured, trash
  • 14
    Nov
    2012
    5:34am, EST

    New 'intelligence' body set to fight illicit trade in world's priceless treasures

    Courtesy International Council of Museums

    The images above show kinds of antiquities deemed at risk of being illicitly trafficked, but the objects themselves have not been stolen. From left: A wooden ceremonial stool from the Taíno culture of the Caribbean in the 11th to 15th centuries; a terracotta Nok head from Nigeria; a Paracas mantle or cloak from Peru in about 200 B.C.; a shabti or funerary figurine from Egypt in the 13th century B.C.

    By Ian Johnston, NBC News

    LONDON -- Ancient statues from Nigeria and Cambodia, colorful cloaks from Peru, ceremonial furniture from Haiti before Columbus and clay tablets inscribed with writing thousands of years old: The illegal trade in looted cultural artifacts is vast, poorly policed and highly profitable.


    Follow @NBCNewsWorld

    But NBC News has learned that a new international body to gather "intelligence" about the illicit sale of some of the world's most beautiful and historic objects is set to be established.

    Groups like the Taliban and al-Qaida are thought to raise funds in this way with suggestions that smuggling art and antiquities is the world's third most common form of trafficking after drugs and weapons, worth $6 billion or more a year. 

    But global policing body Interpol's response to these often-made claims is that they simply do not know.

    The new body, to be called the International Observatory on Illicit Traffic in Cultural Goods, would try to improve cooperation between Interpol and law enforcement agencies, world cultural body UNESCO, research institutions and other groups, and establish the "best practice" to fight this form of crime.

    It would also create a database of publicly available information, and seek to improve monitoring and research.

    The France-based International Council of Museums is behind the new body, but is waiting for formal approval of funding from the European Commission.

    'Invaluable scientific proof'
    An ICOM official, who asked not to be named in line with the organization's policy, said that stealing culturally or historically important objects was "much worse" than ordinary theft.

    "The loss is not only felt by one person, but by a whole society. The loss will also be experienced by several generations of people who feel deprived of a part of their history and cultural past," the official told NBC News. "For experts and scholars, it also marks the disappearance of invaluable scientific proof of parts of the world's history."

    "ICOM felt it needed a lot more reliable information and recent analyses of trends, what one would call the need for 'intelligence' when fighting organized criminal activity," the official added.

    'Emergency red list' targets Syria's looted treasures

    Noah Charney, founding director of the Association for Research into Crimes against Art, told NBC News that art and antiquities crime was an "inherently international type of crime," and it needed a better global response.

    Police across the world generally performed "very poorly" and it was an area that "tends to be underfunded," Charney said, partly because some authorities view it as something from the film "The Thomas Crown Affair" rather than a serious problem.

    Charney said that law enforcement agencies' recovery rates of stolen artifacts generally ranged from as low as 1.5 percent to 10 percent for Italy's Carabinieri, who he said were "by far the best" agency in the world at dealing with art crime.

    He estimated that about 75 percent of art crime involved antiquities. Valuable paintings tended to be sold by criminals for 10 percent of their auction value, he said, but antiquities could be sold openly for the full price with a forged provenance to get around global laws.

    "Most of the objects are coming directly from the earth or the sea, so they'll never appear on a stolen art register," he said. "You'll never know what was in a tomb opened by tomb raiders."

    ICOM produces a number of "red lists" detailing the kinds of artifacts that tend to be stolen in different parts of the world, partly to help law enforcement agencies catch smugglers.

    Here are 10 examples -- with photographs of similar works that have not been stolen and are mainly held by museums:

    Ancient Nigerian statues looted
    Terracotta Nok statues, which date back to the 9th century BC in Nigeria, are "plentifully available on the art market," according to ICOM.

    National Commission for Museums and Monuments, Nigeria.

    A terracotta Nok head from Nigeria. Nok art like this piece, which is not stolen but is illustrative of the kind of artifacts which can be, dates back to the 9th century B.C.

    The problem is many are unidentified and some are likely to have been ultimately obtained illegally.

    "Demand from the European and American art markets, combined with speculation, leads today to looting of archaeological sites, causing irrevocable destruction and final loss of information," according to ICOM's website.

    The first head was rediscovered at the village of Nok in 1928 by chance and since then statues with similar characteristics have been found at 20 different sites on Nigeria's Bauchi plateau.

    "These are heads of whole figurines, mainly human effigies, but occasionally representations of animals (in most cases snakes)," ICOM says. "The size may vary, some heads being life-size, whereas other full-length figurines are only a dozen centimeters high (4.7 inches)."

    Cloaks of many colors from Peru
    The richly decorated cloaks of the Paracas culture and its Nasca successor, which existed from about 400 BC to 700 AD on the southern coast of modern-day Peru, are another target for thieves.

    The cotton mantles, which tend to be found preserved within funeral bundles, feature intense colors and are embroidered with motifs such as stylized jaguars, fish, fruit and flowers.

    "However, the most important motif is the profile of a human figure whose head faces the viewer, with a mask and a hairpiece with some type of animal element (usually a feline with snake appendages), weapons and a human head fastened by the hair," according to ICOM's website.

    The cloak pictured, seen in a photograph taken by the Museo Nacional de Arqueología, Antropología e Historia del Peru, is about 8.7 feet by 5.1 feet and dates from about 200 BC during the early Nasca period.

    Museo Nacional de Arqueología, Antropología e Historia del Perú, Peru

    This Paracas mantle or cloak, dating from about 200 B.C., is about 8-and-a-half feet long. Others like this one, which is not stolen, are deemed at risk of being looted and sold illegally.

    Poverty-stricken Haiti losing 'rich' heritage
    The "exceptionally rich" cultural heritage of Haiti is "severely affected by illicit traffic" that is fueled by "international demand" and "extreme poverty," ICOM said.

    Mariano Hernandez/Fundación García Arévalo

    A ceremonial "duho" or stool from the Taino culture of the Caribbean, dating from 800 to 1500 A.D. This has not been stolen, but there is general concern about the trade in looted art from poverty-stricken Haiti.

    "The earthquake of January 12, 2010, has rendered the situation particularly dire, leaving Haitian heritage sites unprotected and vulnerable to looting, theft, and destruction," its website adds.

    Pre-Columbian artifacts that are deemed by ICOM to be at risk of theft include items such as stone axes, pestles and sculpted heads, ceramic bowls and plates, shell ornaments and furniture such as the ceremonial stool or "duho" pictured, which dates from 800 to 1500 AD. Like the other objects pictured, this illustrative example was not stolen.

    "It should be noted that this type of object is common to all countries of Taïno origin, such as the Dominican Republic. The main characteristics of the duho, namely a carved wooden seat with a high back, can also be found in Africa," according to a statement emailed to NBC News by the ICOM official.

    The Taïno people lived in several Caribbean islands and greeted Christopher Columbus when he arrived in the Americas in 1492. Millions are thought to have died because of European diseases to which they had no immunity, clashes with the Europeans and other causes associated with colonization.

    Artifacts from after the arrival of Columbus such as Voodoo sculptures and jewelry; cannons, pistols and slave chains form the 18th century; and fine art paintings and sculpture from the 18th to 20th centuries are also included on the red list for Haiti.

    China Cultural Heritage Information and Consultation Center, China.

    A handwritten letter from a literatus dating from China's Ming Dynasty. Old letters and other handwriting from China, such as this unstolen example, are considered to be art.

    Letters from the Ming Dynasty
    Old letters and government and other documents from China "have always been considered as works of art, and as such are highly coveted," the ICOM statement said. They are "very fragile and vulnerable to destruction."

    The letters date from as long ago as the Zhou Dynasty in 1046 BC, through the Han and Ming dynasties, to 1949, when the Communist Party took power in China.

    The documents can be handwritten, carved or printed on a variety of materials such as bamboo, silk, paper and wood.

    The letter pictured is described as a "handwritten letter from a literatus" from the Ming Dynasty, which lasted from 1368 to 1644.

    Museo del Oro, Banco de la República de Colombia/Clark M. Rodríguez.

    A mummy dating from 600 to 1600 A.D. from Colombia. Antiquities thieves loot human remains like this one, which has not been stolen, the world over.

    Dead bodies and skulls
    Preserved dead bodies, human skulls and other body parts retain a certain fascination for some criminals and collectors with little regard for the scruples of their suppliers.

    The mummy pictured was made by the Muisca people of Colombia and dates from 600 to 1600 AD, according to the ICOM website.

    "Human remains per se are also a type of object very much coveted by those interested in Egyptian antiquities, but also in Haitian Voodoo-related objects that are partly made of human remains (skulls)," the ICOM statement said.

    On Nov. 6, Bolivia returned a mummy that was at least 700 years old to Peru. It was seized from antiques traffickers two years ago as a Bolivian citizen tried to ship it to an address in Compiegne, France, in a cardboard box, The Associated Press reported.

    Currencies that hold their value
    Coins "of all origins are highly sought after," the ICOM statement said, due to the "profitable market" and the ease with which they can be hidden and moved about.

    Kabul National Museum & French National Library, Afghanistan

    An Indo-Scythian silver coin from the reign of Azes I, 57 to 20 B.C. Ancient coins like this one, which is not stolen, are generally are at risk of being illicitly traded partly because they are small and easily hidden.

    Silver Indo-Scythian coins from the reign of Azes I (57 to 20 BC), Indo-Greek coins from the reign of Menander I (165 to 130 BC), gold coins from the Fatimid era in Egypt in AD 1012 and silver, gilded bronze and paper currency from China are all listed on ICOM's website as examples of the kind of artifacts that are stolen and smuggled.

    The statement pointed to the seizure of 18,000 coins, along with bronze eagles, pieces of jewelry and other objects -- originating from Bulgaria and dating back to the time of Ancient Greece and Rome -- that were illegally imported into Canada in 2007. They were returned to Bulgaria in June last year.

    Iraq's ancient texts lost
    Ancient clay tablets with cuneiform writing are among the various cultural artifacts that have been looted from Iraq following the U.S.-led invasion in 2003.

    © British Museum, United Kingdom.

    A clay proto-cuneiform tablet with early pictographic writing from the end of the 4th millennium B.C. Tablets like this one, which is not stolen, should be treated with caution if offered for sale.

    According to ICOM's website, any object with cuneiform or "wedge-shaped" writing on it should be treated as suspicious.

    Many of the objects were looted from the Iraq Museum in Baghdad, which houses artifacts dating back to 8,000 BC.

    The clay tablets are usually between about 2 and 12 inches long, and can be rectangular, pillow-shaped, square or sometimes round.

    "They are usually sun-dried and must be handled with extreme care. If not stored under controlled humidity, they may disintegrate," ICOM says.

    "Written clay or stone tablets such as this … tablet frequently resurface during seizures or illegal sales," the ICOM statement said. "As an example, in 2007 a 4,000 year-old Iraqi cuneiform tablet was identified by a German archaeologist on eBay's Swiss website, as they are featured in the Emergency Red List of Iraqi Antiquities at Risk."

    "The appropriate Swiss authorities were informed and the site stopped the sale minutes before it concluded. Police confiscated the tablet at a storage facility in Zurich," it added.

    National Museum of Cambodia, Cambodia

    This female divinity carved in sandstone from Cambodia stands just over four feet. Art like this piece, which is not stolen, has been looted for decades.

    Such tablets are also "subject to forgeries," the statement said, adding that this was a "a real problem for collectors and museums as the fakes now produced are of very high quality and can easily fool experts, unless scientific testing is done."

    Cambodia's treasures looted for years
    Statues similar to the 4-foot stone goddess pictured, bronzes, religious documents, ceramics, and a whole range of other artifacts have been looted in Cambodia for decades.

    ICOM's Red List for Cambodia said that a "new tide of destruction" began in recent years as thieves targeted prehistoric cemetery sites.

    "Cambodia's cultural resources are very important to its people. Their pride in their heritage is symbolized by the choice of depicting the ancient temple of Angkor Wat on the nation's flag," it noted.

    Statues from the world-renowned Angkor site are particularly sought after and so have been forged as well as stolen for years.

    Other objects on the red list include buffalo-head rings and ceremonial drums from 5th century BC to 5th century AD, ritual objects such as bells, conches and incense burners from the Angkor period from the 9th to 13th centuries AD and items such as decorated iron swords, gongs and cymbals dating from the 14th to 20th centuries.

    Centuries-old gold jewelry melted down
    Gold jewelry such as this centuries-old Jaguar-head necklace from Iximché in Guatemala has long been prized by looters.

    Ministerio de Cultura y Deportes, Dirección del Patrimonio Cultural y Natural, Museo Nacional de Arqueología y Etn

    A Jaguar head necklace from Iximché, Guatemala, dating from 900 to 1524 A.D. Art as beautiful as this unstolen piece can sometimes be looted simply to be melted down.

    But sometimes their historic significance -- the necklace pictured dates from between 900 and 1524 AD -- means little to the thieves.

    "In some cases, it is not the object itself that is of value to the thief but the material it is made out of. In these cases the piece will be melted or cut into pieces so as to recover as much gold (or silver, precious stones, etc) as possible," the ICOM statement said.

    In addition to the necklace, ICOM's website lists an array of treasures from Central America from museums to illustrate the kinds of artifacts are traded illegally.

    Egyptian Museum, Egypt / Ahmed Amin

    An unstolen limestone shabti or funerary figurine from Egypt, dating from 1279 to 1213 B.C.

    These include colorful bowls decorated with paintings of humans, animals, plants and ancient writing; drinking vessels in the shape of people and animals; stamps used to print designs; and musical instruments such as flutes, drums, rattles and whistles.

    Ancient statue in a shoebox
    Funerary figures from ancient Egypt known as shabti are "in high demand from collectors" and because they are relatively small "can be easily hidden and transported," the ICOM statement said.

    In 2011, U.S. Homeland Security officers seized a shabti that was being smuggled inside a shoebox. Other illegal shipments containing the statuettes have been discovered over the past year, leading to their inclusion on the Emergency Red List of Egyptian Cultural Objects at Risk.

    Shabtis can be made from wood, Egyptian faience, a type of ceramic, pottery and stone such as limestone.

    The statues, which date from 5,200 BC to 332 BC, were of men and women.

    The shabti pictured, seen in a photograph taken by the Egyptian Museum in Cairo, was found in the tomb of Sennedjem, who lived more than 3,000 years ago, at the cemetery of Deir el-Medina at Thebes.

    More world stories from NBC News:

    • As Taliban regroup, victims battle for 'free' Afghanistan
    • New 'intelligence' body set to fight trade in world's treasures
    • Understanding the beauty of Indonesia's 'Underwater Eden'
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    • Casino mogul's GOP donations put spotlight on Macau
    • China's power transfer grinds on amid widespread indifference
    • Sweeping child abuse scandal shakes BBC, other UK institutions
    • West Bank's centuries-old olive harvest tradition under threat
    • On Twitter, pope to reach out to new followers

    Follow World News from NBCNews.com on Twitter and Facebook

     

    26 comments

    It is ironic what one person will call of no value, while other esteems as of great worth. In a world where things are made cheaply and thrown away,easily replaced by another item made by a stranger half way around the world in a factory, using high technology or by sweatshop labor and shipped over  …

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    Explore related topics: art, stolen, crime, looted, featured, cultural-artifacts, international-observatory-on-illicit-traffic-in-cultural-goods
  • 8
    Nov
    2012
    8:25am, EST

    Storm of protest as debt-stricken London borough plans to sell $32M artwork

    Bethany Clarke / Getty Images file

    'Draped Seated Woman' by Henry Moore was sold to one of London's borough councils at a knock-down price in 1962 on the understanding it would be displayed in the area, which was notorious for its social deprivation and which had also been heavily bombed during the Second World War. It is currently displayed at a sculpture park in Yorkshire.

    By Alastair Jamieson, NBC News

    LONDON — A debt-stricken district of London is to sell a sculpture gifted to the local area by celebrated artist Henry Moore, prompting fierce criticism and raising questions over the future of other publicly owned artworks amid austerity cuts.

    The mayor of Tower Hamlets — one of the poorest areas of Britain — decided late Wednesday to sell the 8-foot Henry Moore bronze statue "Draped Seated Woman" as the borough council tries to cut a deficit of $144 million.

    It is thought the sale of the sculpture could raise up to $32 million for the council. Independent mayor Lutfur Rahman over-ruled the concerns of a committee of politicians to order the artwork be auctioned to the highest bidder.


    Ian Leith, founder and deputy chairman of the Public Monuments and Sculpture Association, told the U.K.’s Guardian that the high-profile decision means other towns and cities might now be tempted to see artworks simply as financial assets.

    "We fear that this is the beginning of local authorities wanting to realize the assets they have in their public sculptures," he told the newspaper. "But the danger is that we won't find out about these sales: There is no national audit of public art in England and no at-risk list.”

    In the United States, at least four cities have declared bankruptcy as they struggle to make budget cuts.

    Read more coverage of this story at ITV News

    Among those criticizing the London decision was Danny Boyle, the "Slumdog Millionaire" film director and choreographer of the London 2012 Olympic opening ceremony, who is also a resident in the east London borough.

    Boyle told the Daily Telegraph: "The Moore sculpture defies all prejudice in people's minds about one of London's poorest boroughs. That alone makes it priceless to every resident."

    Moore, who died in 1986, sold his sculpture to the council in 1962 at a knock-down price on the understanding it would be displayed in the local area, which was notorious for its social deprivation and which had also been heavily bombed during the Second World War. It sat in a public housing project in Stepney Green until 1997 when the project was demolished and it was loaned to a sculpture park in Yorkshire.

    'Not insurable'
    Heather Bonfield, the council’s interim head of culture, told a meeting on Wednesday night that displaying the sculpture in public parks in the area was no longer feasible because of the risk of vandalism and metal theft, making it "not insurable", according to a report in The Wharf local newspaper.

    Tower Hamlets councilor Shahed Ali told ITV News the cash raised would be used for "services for local people, services that will make as big difference to our local residents."

    "We have youth population that is the largest in Europe and the money will help address those needs," he said.

    Slideshow: When the Olympics is your neighbor

    /

    A diverse community in East London will welcome the world to Britain for the 2012 Olympic Games. Meet residents and hear how they feel about having a huge, world stage in their backyard.

    Launch slideshow

    Tower Hamlets was one of the six boroughs adjacent to the Olympic Park, which transformed a derelict former industrial wasteland in east London into the epicenter of the 2012 Summer Games.

    Sharon Ament, director of the Museum of London Docklands which is in the borough, proposed a plan to host the statue – but her offer was rejected.

    "We are hugely disappointed," she told ITV News. "Just because we’re going through really tough times financially, it doesn’t mean to say that the cultural, artistic and spiritual needs of the population shouldn’t be met."

    Local member of parliament, Rushanara Ali, told the East London Advertiser: "The sculpture belongs to the people of the East End and should remain in public ownership and be available for everyone to enjoy as Henry Moore intended it.

    "This is a betrayal of the East End’s working class heritage. The sale will only make a small contribution to the council’s budget."

    In Sunday’s Observer newspaper, commentator and local resident Rowan Moore wrote: "'Draped Seated Woman' fulfills an ideal that nothing was too good for ordinary people, an ideal that modern local politicians are in danger of losing. To sell the sculpture as if it were a piece of real estate would … betray Moore’s generosity. It would raise the question why anyone should ever want to offer anything to a local authority again."

    Tower Hamlets to sell a GIFT from Henry Moore to it citizens.Disgraceful!

    — Joan Bakewell (@JDBakewell) November 8, 2012

    Local journalist and blogger Ted Jeory told NBC News the decision to sell the statue in order to keep funding for current local projects was a "vote-buying program" by Mayor Rahman, who is up for re-election in 18 months. "This is not about government cuts, it’s about his love of power," he said.

    ITV News is the U.K. partner of NBC News.

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    72 comments

    Sell it... it is ugly

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  • 8
    Oct
    2012
    10:47am, EDT

    'It was an artistic statement': Vandal tags Mark Rothko painting at London museum

    By Christina Marker, NBC News

    Updated at 7:36 p.m. ET: LONDON -- A 26-year-old man was arrested Monday for the defacement of a Mark Rothko painting at London's leading contemporary art museum.

    The incident took place on Sunday when a visitor to Tate Modern applied "a small area of black paint with a brush to the painting," to a painting titled "Black on Maroon" by the Russian-American artist.

    The man arrested signed his name on the painting: Vladimir Umanets. He was placed in custody around 9 p.m. local time.


    Photographs of the damage showed the text "VLADIMIR UMANETS '12, A POTENTIAL PIECE OF YELLOWISM'' scrawled on Rothko's 1958 canvas "Black on Maroon.

    'Not art or anti-art'
    Using a phone number posted on on the so-called "Yellowism" movement's website, a Reuters journalist spoke to a man answering to the name Vladimir Umanets who said he carried out the attack.

    "I'm aware they (the police) will come at some point and arrest me,'' he told Reuters. "It was an artistic statement, but it was more about having the opportunity to speak about galleries and art."

    A manifesto posted on the website reads: "Yellowism is not art or anti-art. Examples of Yellowism can look like works of art but are not works of art ... Art is forever developing 'diverse whole'. Yellowism is forever expaning 'homogeneous mass'."

    Tim Wright who witnessed the incident described it as "surreal." He posted a picture on Twitter and described how "this guy calmly walked up, took out a marker pen and tagged it."

    In another tweet, Wright wrote: "Very bizarre, he sat there for a while then just went for it and made a quick exit."

    Just saw this Rothko painting being defaced #tatemodern twitter.com/WrightTG/statu…

    — Tim Wright (@WrightTG) October 7, 2012

    Amy Griffin, an art restorer at London's Simon Gillespie Studio, said she was optimistic that the painting could be repaired.

    "The exact material the graffiti was done in will determine how quickly it can be removed," she said. "If it is water soluble this may be done quickly but if it has stained the original paint the conservation may take longer and some retouching might be needed."

    Griffin said that while the painting wasn't on the market, the value would only be affected if the new black paint couldn't be removed.

    "Removing graffiti or accidental damage to paintings done with pens, paint or even old restoration is a daily part of a conservator's job and the Tate conservation department is one of the best in the world," she said.

    The damaged painting is part of Rothko's Seagram series. Originally commissioned for the Four Seasons' restaurant in New York, the artist changed his mind about the project and gave the works to galleries, including Tate Modern.

    Much of Rothko's work is characterized by canvases with large rectangular blocks of color.

    The last major piece by the artist to be sold was his "Orange, Red, Yellow". It  fetched $87 million at an auction in New York earlier this year.

    The Tate Modern is no stranger to action by so-called artists. In 2000, two Chinese performance artists tried to relieve themselves in one of the gallery's most famous sculptures: a urinal by Marcel Duchamp.

    The Metropolitan Police confirmed to NBC News that they were investigating the incident but said Monday that no arrests had been made.

    Reuters contributed to this report.

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    54 comments

    The vandal should make his own art and anti-art, deface that in his own way, and leave other art alone. He's completely self-absorbed when he strives to impart his own idea on someone else's artwork. He a tagger and a vandal! Nuff said..

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    Explore related topics: art, museums, london, uk, gallery, featured, tate-modern, mark-rothko, commentid-featured, yellowism
  • 20
    Sep
    2012
    9:31am, EDT

    'Erasing history': Egyptians bristle after graffiti murals painted over

    Mohamed Abd El Ghany / Reuters

    A man redraws the graffiti along Mohamed Mahmoud street, a day after the walls were believed to be painted by government workers to cover former graffiti, in downtown Cairo on Wednesday.

    By The Associated Press

    Under cover of darkness, a few municipality workers quietly began to paint over an icon of Egypt's revolution: a giant, elaborate public mural on the street that saw some of the most violent clashes between protesters and police over the past two years.

    The mural, stretching three blocks along a wall off Cairo's Tahrir Square, has been a sort of open-air museum of the history of the revolution and its goals — with "martyr" portraits of slain protesters, graffiti, jokes, freedom slogans and pharaonic, Muslim, Christian and nationalist images to show Egypt's mixed heritage and a history of struggle.


    Analysis: 'Manufactured outrage' behind Middle East protests

    Word of the whitewash quickly got out. A number of progressive, young revolutionaries showed up to defend the murals. In the dead of night, they began to film the workers as they painted under the guard of police, hoping to embarrass them. They talked with the painters about what the murals meant.


    Follow @NBCNewsWorld

    The scene on Mohammed Mahmoud Street in the early hours Wednesday was a small but telling counterpoint to last week's angry protests at the U.S. Embassy, led by ultraconservative Islamists protesting an anti-Islam film. Those protests took place only a few blocks away on another street off Tahrir.

    Together, the scenes point to the competition over the identity of the new Egypt, over what the country stands for now and what can be expressed.

    PhotoBlog: Graffiti artists target whitewashed walls and the president

    The mix of largely secular activists who launched the revolt against longtime leader Hosni Mubarak last year say the "revolution" is still continuing, until the country breaks with its authoritarian past and brings freedom and economic justice.

    The Islamists, who rode to power after Mubarak's ouster, have their own vision for Egypt, which they say should adhere to an "Islamic identity" as they define it and preserve traditions.

    'Erasing history'
    The government says it has launched a campaign to beautify Tahrir Square, the center of anti-Mubarak protests. But activists saw it as a government attempt to blot out the calls for continued revolution and to assert that a new and stable system is now in place, under elected Islamist President Mohammed Morsi.

    "They are erasing history," Gamal Abdel-Nasser, the father of a 19-year old killed during the early days of anti-Mubarak protests, said as he stood at the mural street. "This is not my government. It doesn't represent me."

    Slideshow: Anger over film spreads throughout Muslim world

    Akhtar Soomro / Reuters

    Protests ignited by a controversial film that ridicules Islam's Prophet Muhammad spread throughout Muslim world.

    Launch slideshow

    And for some, repainting the wall just underlined the feeling that the Islamists have snatched the prizes of the revolution.

    "This is not about the wall. It is about everything happening in Egypt," said Nazly Hussein, one of the first to arrive at the scene to protest the paint job with a camera, live streaming the workers as they covered murals. "It is about territory they took away from us."

    The anti-film protests, she said, showed how under Morsi's three-month-old rule progressives were still having to fight for basic issues like freedom of expression. She pointed to government crackdowns on strikes and the recent sentencing of a Coptic Christian to six years in prison for insulting the Prophet Muhammad and Morsi. Still unaddressed are bigger goals of the revolution.

    "This is about lowering our ceiling. Our real battle is about freedom. Now we are fighting about the right to insult the president or not," she said. "All those on the wall died for bread, freedom and social justice," she said, referring to the martyr portraits.

    Egypt issues arrest warrants for Terry Jones, Coptic Christians over anti-Islam video

    After the intervention by activists, the municipal workers stopped the whitewashing at daybreak with only half the mural painted over. Graffiti artists moved in to start putting new images on the now white walls. By late Wednesday night, the municipal workers hadn't returned to finish their job, amid a media uproar over the mural erasure.

    The first drawing to go up was a portrait of a young man sticking his green tongue as a taunt. "Do it again! Erase, you cowardly regime," was written beneath it.

    'A worse dictatorship'?
    Graffiti artist Ahmed Nadi painted a new caricature of Morsi, smiling smugly, with the words, "Happy now, Morsi?"

    Ali Saleh, a 53-year old security guard at a nearby school, said the murals must stay as a reminder to authorities of the mistakes they committed.

    "If we give up the graffiti, this would be the first nail in the coffin," he said. "We are in for a worse dictatorship than Mubarak's."

    The sense of progressives that the wall is their territory is deepened by its location. Mohammed Mahmoud Street saw dozens killed late last year and early this year as security forces repeatedly tried to crush youth protesting against police brutality and the military rule that followed Mubarak's fall. Morsi's Muslim Brotherhood and other Islamists refused to join the protests.

    How rap music fueled the Arab Spring

    Several of the activists accused the government and other Islamists of focusing on anger over the film to distract from the lack of real change since Egypt's first free election over the summer brought Morsi to power.

    "Is this what will take Egypt forward now? Erasing the graffiti?" a school student in his teens shouted as the artists began to refill the wall with images.

    "So long as we can't talk freely in this country, we still need walls to paint and songs to write," said Amr, an 18-year old commerce university student, refusing to give his last name because of security officers who remained nearby. "We are trying to be free. They don't want us to go down this road. They don't want a thinking people."

    'Can't have a revolution every day'
    Many Egyptians, however, say they just want stability after more than 20 months of turmoil. Some residents of the Mohammed Mahmoud area were happy to see the murals go, ending a reminder of the battles on their doorstep.

    "This is ugly," said Nour Nagati, referring to the graffiti of a man with his tongue out. "Paint me a flower, paint me a tree. This is a symbol of stability. But this provocation will only perpetuate provocation."

    Hip hop has inspired freedom fighters and pro-democracy protesters from Tunisia to Bahrain. NBC News' Karl Bostic investigates.

    Another resident in the area, who says he lived in Germany for 20 years and is an agricultural engineer, objected to the new graffiti artists over the words "cowardly regime" they had just scrawled on the wall.

    "Why should I wake up and find this profanity scribbled on the walls. I am Egyptian. This is not my culture. This is only for the Westerners," said the man, who wore the small beard of a conservative Muslim. He refused to give his name.

    But the lines are not black and white in Egypt: Age can be as much a factor as ideology. A younger man in his 30s with the even longer beard of an ultraconservative Islamist interjected and defended the murals.

    "Why the distinction between West and East when it comes to freedom of expression? There is no doubt that whoever represses and breaks up protests is a coward."

    The engineer looked at him in surprise, thrown by the idea of an ultraconservative defending graffiti.

    "You're mixing everything up!" he cried.

    Abdel-Karim Abu Bakr, a passer-by, said the time for using the walls for protest was over.

    "We had a revolution, we changed the regime. Let's calm down ... We can't have a revolution every day."

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    © 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    17 comments

    I'm not Muslim, but I am offended that people would call people terrorists when they don't even know them. Christians have done some pretty violent and hateful things in the name of Christ, you know. Terrorism doesn't only apply to Islamic extremists. Just saying.

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  • 10
    Sep
    2012
    3:45am, EDT

    'Emergency red list' targets Syria's looted treasures

    Slideshow: Syria uprising

    Goran Tomasevic / Reuters

    After months of protests and violent crackdowns, a look back at the violence that has overtaken the country.

    Launch slideshow

    By Ian Johnston, NBC News

    An "emergency red list" detailing what kinds of archaeological artifacts are being looted in war-torn Syria is being drawn up to help prevent priceless treasures from being sold on the black market.

    The International Council on Museums told NBC News it planned to produce the list, which will be circulated to customs and police officials worldwide, after becoming increasingly concerned about the extent of looting amid the uprising against President Bashar Assad’s regime and its bloody crackdown.


    More than 20,000 people have died so far in Syria's civil war, which is now in its 18th month. But there is another human toll -- the huge number of people trying to flee the violence, forced to leave their homes, even leave the country. A rising tide of refugees is crossing Syria's southern border into Jordan. NBC's Ann Curry reports.

    Julien Anfruns, director general of ICOM, said that "right now we are pretty much in the worst-case scenario in Syria" for looting and the destruction of ancient sites as the bitter conflict between Assad and the Free Syrian Army continues. Activists say between 23,000 and 26,000 have been killed since the fighting started last year.

    The Arab Spring is dead -- and Syria is writing its obituary

    The red list will contain pictures and details of the types of items that may have been looted, which Anfruns said would be a "powerful tool" for law enforcement authorities.

    A bomb went off outside a mosque in Damascus on Friday, killing at least five policemen and wounding others, according to state-run Syrian television. NBCNews.com's Dara Brown reports.

    "When officials seize [an] object, they can then say 'we have to be very careful, this may be a Syrian object,'" he said, enabling further investigations to take place to see if the piece was of "dubious origin."

    Illicit art trade valued at billions
    Anfruns said it was possible the regime was selling artifacts to raise money, but stressed he did not have evidence that this was happening.

    "It's a situation that we have seen in some other places. It's definitely a possibility that we do not exclude," he said.

    "Illicit traffic of art is a significant trade in the world – some of the valuations put that at between $6 billion and $7 billion every year," he said. "It's clear that Syrian antiquities are interesting for some parties. We really, really strongly advise any buyers to be extremely prudent … it's a serious legal matter and due diligence is even more necessary in the current case."

    Syrian baby found alive in rubble

    Anfruns said there were laws in Syria designed to protect its cultural heritage and even buying artifacts sold by the Assad regime could fall foul of the law. It would also depend on the laws of the buyer's country.

    "Honestly, in the current situation of conflict and looting and destruction of cultural heritage in Syria, everything that would be on the market will be of a suspicious origin," he said.

    Slideshow: Behind Syrian rebel lines

    Machine guns operated by motorcycle brakes? Get a glimpse at the rebels fighting against Assad's forces in Syria's mountainous Jabal al-Zawiya area.

    Launch slideshow

    He said they were still at a preliminary stage with the first step to set up the group of experts who will draw up the red list over the next few months.

    France sends cash to Syria rebels, source says

    Anfruns said the conflict was too "hot" in Syria to enable investigators to work out what had actually been stolen. "What we do know is there has been looting, but what we don't know is what has been looted," he said.


    Follow @NBCNewsWorld

    ICOM produces a number of red lists for areas where art and archaeological artifacts is at risk from thieves. It produced an emergency red list for Egypt last year during the Arab Spring uprising and for Haiti in 2010 after it was hit by a devastating earthquake.

    Clay tablets taken in the night
    Mousab Azzawi, chairman of the Syrian Network for Human Rights, told NBC News that ancient clay tablets bearing inscriptions had been taken away in black bags during the night from an archaeological site at Tal Sheikh Hamad in May this year by people apparently working with the consent of Assad's forces.

    Azzawi said he thought the value of the tablets and other artifacts such as jars, tools and jewelry taken away from the site would be in the millions of dollars, adding "I would expect they are over $100 million."

    "Now the main question, the big question, is what happened with this, who is looking after them [the tablets]?" he said.

    Russian President Vladimir Putin criticizes the U.S. over the situation in Syria. NBC's Ayman Mohyeldin reports.

    "One guy – this is not verified by us – but he said … the accents of the people who took the bags were Lebanese. He said they were with beards, which gives a hint it's Hezbollah. They are experts in this illegal trading," Azzawi said.

    "If they are not sold now on the market to bring extra cash for the dying regime, they may be used later," he added.

    Mission 'nearly impossible': Syria envoy downbeat on new job

    Follow Ian Johnston on Twitter

    But he said if – as he assumed the regime would claim – the artifacts were being taken away to preserve them, he said then this was being done in the "worst way for such a precious heritage."

    "If they took them to a safe place, why didn't they take them in a reasonable way? These are very fragile."

    Noah Charney, founding director of the Association for Research into Crimes against Art, told NBC News that stolen art had been used by dictatorial regimes to raise money for generations.

    Slideshow: The lives of Syrian rebels

    NBC News

    People resisting the army of President Bashar al-Assad in northern Syria cope with loss and prepare for fighting.

    Launch slideshow

    Charney said the Taliban had a track-record of breaking into tombs in Afghanistan, "destroying a huge amount and taking the rest of it to sell."

    And he pointed to a report in the Germany news magazine Der Spiegal that 9/11 hijacker Mohamed Atta had tried to sell numerous pieces of stolen art to an art professor in Germany in order to buy an airplane. 

    Portraits from the frontline: Syrian rebels pose in Aleppo

    The Nazi regime had also stolen "lots of art – not just from Jews" which was then sold to collectors often in the U.S. and U.K. before World War II.

    "The idea of looting your own cultural heritage to fund a hostile or aggressive regime has a very rich history," he said.

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    33 comments

    Yes, money. As an after thought..the rebel in the opening photo is shown carrying a Steyr-Aug rifle and not an AK-47...The Steyr is THE MOST EXPENSIVE rifle issued to only a very few armies...Where are the rebels getting the money to purchase a $3000.00 rifle instead of a $400.00 AK?

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  • 24
    Aug
    2012
    5:09am, EDT

    Oops! $8,600 Rembrandt etching lost in the mail

    By Reuters

    OSLO -- A Norwegian art gallery lost a Rembrandt etching worth up to $8,600 in the mail after trying to save money on courier and insurance costs, the gallery's chief said Thursday. 

    The Soli Brug Gallery in Greaaker, about 50 miles south of Oslo, purchased a copy of Rembrandt's "Lieven Willemsz, van Coppenol, Writing-Master" made in around 1658, from a British dealer -- only to have it lost in the Norwegian postal system. 


    "Using a courier or special insurance is quite expensive so we have used regular mail until now," Ole Derje, the gallery's chairman said. "It is worth around 40,000 to 50,000 crowns ($6,900-$8,600) and the postal service is offering us compensation of 500-1,000 crowns." 


    Follow @NBCNewsWorld

    Derje said his gallery, which is displaying works by Dürer, Rembrandt, Goya, Munch and Dali, received notice to pick up the package but when he went to collect it, it was nowhere to be found. 

    Derje declined to name the seller, citing confidentiality concerns. 

    "We are sorry that this has happened; we have advised him to use a more appropriate form of mail when sending items that are worth as much as this with the appropriate insurance connected," said Hilde Ebeltoft-Skaugrud, a spokesman for the postal service. 

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    Copyright 2013 Thomson Reuters. Click for restrictions.

    41 comments

    An item this valuable and trying to save money on shipping? Where is the common sense? Hope it is eventually found.

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  • 9
    Aug
    2012
    10:34am, EDT

    Picasso nude too hot for some travelers at Edinburgh Airport

    By A. Pawlowski, NBC News contributor

    Carl Court / AFP - Getty Images

    "Nude Woman in a Red Armchair" is pictured at the "Picasso and Modern British Art" exhibition at the Tate gallery in London. A poster of the painting is now offending some eyes at Scotland's Edinburgh Airport.

    Pablo Picasso’s “Nude Woman in a Red Armchair” apparently has some air travelers seeing red.

    But a poster of the painting will get to stay at Edinburgh Airport in Scotland despite an earlier decision by management to cover it up after complaints from passengers.



    Follow @NBCNewsTravel

    The poster was hung in the airport’s international arrivals area to advertise the “Picasso & Modern British Art” exhibition now under way at the Scottish National Gallery of Modern Art.

    The image – described by Britain’s Tate museum as “as a series of sensuous curves” -- was apparently too much for some travelers to take. So the airport quickly placed it behind a cover and requested a different poster from the gallery.

    On Wednesday, however, airport officials changed their minds.

    "We have now reviewed our original decision and reinstated the image," the airport said in a statement to NBC News. 

    "The initial decision was a reaction to passenger feedback, which we do always take seriously. However on reflection, we are more than happy to display the image in the terminal and we'd like to apologize - particularly to the exhibition organizers - for the confusion."

    The reversal comes after lots of jeers on social media, with Twitter users mocking “prudish passengers” and calling the snafu censorship.

    John Leighton, the director-general of the National Galleries of Scotland, was incredulous.

    “It is obviously bizarre that all kinds of images of women in various states of dress and undress can be used in contemporary advertising without comment, but somehow a painted nude by one of the world's most famous artists is found to be disturbing and has to be removed,” Leighton told the BBC.

    But the incident also highlights the wide variety of reactions airports have to deal with when displaying images that will be seen by travelers from cultures from all over the world.

    Atlanta’s Hartsfield-Jackson International Airport, for example, has a team that evaluates art for exhibits at the world’s busiest airport, said spokeswoman Katena Carvajales, but she declined to comment further.

    Certainly, airports must have a certain level of sensitivity when it comes to art and ads, said Anne Banas, executive editor of SmarterTravel.com.

    “They have to (show) things that would be socially acceptable to a very general international audience,” Banas said. “But when it comes to something like art, like a Picasso, I just think that’s going too far to feel like you would have to censor that in any way.”

    She pointed out that many perfume and clothing ads displayed at airports feature scantily clad models in provocative poses. Meanwhile, the Picasso poster was simply promoting an art exhibit, not displayed for any shock value, Banas said.

    “If you’re a traveler, that sort of has an implication that you’re somebody who’s a little more worldly or willing to explore other cultures. You need to be open-minded as well,” she added.

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    174 comments

    Can someone please tell me why an art image of the human body is so feared? Can someone else explain why a woman's breast is a thing of utter depravity, especially when it is being used to suckle a child? I really tire of some prude trying to tell me what is acceptable. Folks, we really and truly  …

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  • 2
    Aug
    2012
    7:16am, EDT

    Medals for poets and painters? Not at this Olympics, but culture still key at London 2012

    Keystone / Getty Images

    The two sides of a gold medal made for the 1948 Olympic Games which were held in London. Medals for artistic achievement were first awarded at the 1912 Stockholm Games and continued until 1948.

    By Ian Johnston, NBC News

    LONDON -- A gold medal for poetry? How about one for singing, painting, etching, or even city planning? It might sound comical, but these were all once competitive Olympic events.

    And the cultural side of the Olympics still continues with the London 2012 Festival of more than 12,000, mostly free events across the U.K.


    Art, comedy, acrobatics, music, drama, film and fancy hats are all there for those in need of a little entertainment, artistic stimulation or simply a break from the sight of too much physical exertion.

    It's just that they no longer hand out medals to those deemed to be the best.

    More London 2012 coverage from NBCNews.com

    But Ruth Mackenzie, director of the Cultural Olympiad of which the London 2012 Festival is the main event, said they had thought about bringing back competition to the arts.

    "We did actually look at it. The [London] mayor, Boris Johnson, ... was interested in this idea of reviving the medals," she told NBCNews.com.

    London mayor Boris Johnson attempts to make a dramatic entrance at an Olympic party—but gets stranded on a zip wire instead. NBCNews.com's Dara Brown reports.

    London's funny mayor taken very seriously

    But she added the International Olympic Committee was "not enthusiastic and, I guess, in the end neither was I."

    "Artists love winning prizes, but there isn't an Oscar for third-best female actress," she said.

    'New audiences'
    Mackenzie said London 2012 had sought to boost the amount of culture associated with the Games to more closely reflect the Olympic movement's three pillars of sports, arts and education.

    "I view this as a chance really to aim high ... and introduce new audiences to new artists," she said.

    She enthused about a whole string of the events, including concerts featuring the likes of Jay-Z and Rihanna and the River of Music event; the modern dance of U.S. choreographer Elizabeth Streb and company, who created a human waterfall in London's Trafalgar Square; more than 70 productions of works by Shakespeare in 40 languages; and U.S. artist Zach Lieberman's project to light up Hadrian's Wall with illuminated balloons.


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    Dikaia Chatziefstathiou, an expert on the Olympic movement and its history who is based at the U.K.'s Canterbury Christ Church University, told NBCNews.com that the cultural side of the Olympic movement was now "only at the periphery" because of the high profile of the sporting events. 

    She praised the "extremely rich and diverse” program of events in London so far, but added that "on the negative side … still the average person in the street doesn't really know" what the Cultural Olympiad is all about.

    The idea that the Games is about more than sport dates back to Ancient Greece -- when the best sculptors were honored -- and the founder of the modern Olympics, Pierre de Coubertin, she said.

    Slideshow: When the Olympics is your neighbor

    /

    A diverse community in East London will welcome the world to Britain for the 2012 Olympic Games. Meet residents and hear how they feel about having a huge, world stage in their backyard.

    Launch slideshow

    "It says a lot about Coubertin and how he understood aesthetics and how he valued the concept of beauty. He thought you can see beauty in sport and you can also see beauty in art, and those two shouldn't be separated, they should be linked," she said.

    Good, bad or ugly? Street artists weigh in on Olympics

    Medals for artistic achievement were first awarded at the 1912 Stockholm Games and this continued until London 1948.

    Team USA did particularly well at the 1932 Los Angeles Games, with three first prizes, four second prizes, one third prize and seven honorable mentions, according to page 764 of that event's official report. A watercolor entitled "Rodeo" -- pictured in the report -- by Lee Blair of the United States was among the winners.

    Coubertin himself was one of the first artistic Olympians, Chatziefstathiou said.

    "He wrote a poem called Ode au Sport [Ode to Sport] … in the 1912 Games. He submitted this poem with a pseudonym -- Georges Hohrod and Martin Eschbach, as if it was by two people -- and he won the gold medal," she said.

    When the Olympics and politics collide: Is neutrality just a 'fairy tale'?

    Follow Ian Johnston

    London 2012 organizers posted a video on YouTube summarizing the kind of events being held at the festival.

    One eye-catching artwork is the aMAZEme installation by Brazilian artists Marcos Saboya and Gualter Pupo at London's Southbank Centre, which is a maze made out of 250,000 books with walls of up to 8 feet high. The layout of the walls is based on the fingerprints of the late Argentinian writer Jorge Luis Borges.

    Luke Scully / aMAZEme

    The 'aMAZEme' installation at the Southbank Centre in London. "I think the arts is something so important for our evolution and for our life-meaning," Brazilian artist Marcos Saboya said.

    Saboya told NBCNews.com that when the maze, which has a Facebook page, is dismantled the books will be given to the charity Oxfam to help tackle global poverty and disease.

    Millionaire medalists: Will London 2012 remain true to Olympic spirit?

    He said arts and the Olympics had been “always associated … since the beginning of the concept of the Olympics.”

    “I think the arts is something so important for our evolution and for our life-meaning,” Saboya said, saying he hoped people visiting the installation would be inspired to read or reread some of the books.

    In the shadow of the Games, London celebrates

    The London Hatwalk has seen famous statues in the city get a makeover. Lord Nelson in Trafalgar Square, William Shakespeare in Leicester Square and 18 other statues can all be seen wearing designs from sone of Britain's top milliners such as Stephen Jones and Philip Treacy.

    Peter Macdiarmid / Getty Images

    Beau Brummell's statue in London's Jermyn Street wears a new hat designed by Noel Stewart for 'Hatwalk' on July 30. Londoners and visitors have been invited to visit some of the U.K. capital's most iconic statues which are now adorned with bespoke head wear.

    London Hatwalk: Meet the best dressed stiffs in London

    "I can’t think of a better way to celebrate the heritage of British millinery and its contribution to our fair city than by dressing our most noble of statues, including our most heroic son, Nelson in creations dreamt up by our leading visionaries," London Mayor Boris Johnson said in a statement.

    Many of the events are taking place outside London, including Prometheus Awakes by the Graeae Theatre Company and La Fura dels Baus in Stockton-on-Tees in northeast England Thursday.

    Their version of the Greek myth about the human who stole the secret of fire from the gods promises the audience will "feel the earth move and the sky explode as a ten-meter-high (32 feet) Prometheus arises from the ground and creates fire and humanity in defiance of the God Zeus."

    More world stories from NBC News:

    • Obama authorizes secret US support for Syrian rebels
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    • US: Leaders' deaths put al-Qaida on 'path of decline'
    • Good, bad or ugly? Street artists weigh in on Olympics
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    • Karzai:a 'prisoner in his palace'?
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    • Video: 'Blitz Spirit' lives on in London's East End
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    93 comments

    I heard some news on the radio this morning that was bittersweet. I did not know that medal winners also received a cash prize. For gold, I believe it was $25,000, silver-$15,000 and bronze-$10,000 (I may be off on those amounts, but you get the idea). I thought this was great.

    Show more
    Explore related topics: olympics, art, london, medals, uk, featured, prometheus, cultural-olympiad, hatwalk, commentid-uk, amazeme
  • 6
    Jul
    2012
    10:37am, EDT

    Did authors really find huge trove of previously undiscovered Caravaggios?

    ANSA via EPA

    "Study of a Head" sketch found in the Sforzesco Castle in Milan has been attributed to the young Caravaggio by art historians Maurizio Bernardelli Curuz and Adriana Conconi Fedrigoli.

    By Claudio Lavanga, NBC News

    ROME -- You wait ages hoping to discover a new Caravaggio, then 100 come along at once. Or do they?  

    Two Italian art historians on Friday announced the discovery of dozens of works by Michelangelo Merisi, the real name of Caravaggio, who was famed for his chiaroscuro effect of dark space contrasting with light, vivid still life and then-scandalous use of models from the lower walks of life for religious scenes.


    The historians claimed the works by a young Caravaggio were among thousands of sketches and paintings by apprentices of Simone Peterzano, the 16th century painter for whom Caravaggio worked at the beginning of his career.  

    Maurizio Bernardelli Curuz, the artistic director of the Brescia Museum Foundation, and his co-researcher, Adriana Conconi Fedrigolli, said they had scrutinized the collection in earnest and they found remarkable similarities with some of Caravaggio’s known masterpieces.

    The Peterzano collection, which is kept in Sforzesco Castle, a Milan landmark, contains nearly 1,400 works. Until now experts had thought the collection contained only works by Peterzano, Bernardelli told The Associated Press. 

    Painting at center of Caravaggio mystery unveiled

    "Evidently no one entertained the hypothesis that there were works" by his pupils, including future star artist Caravaggio, among the drawings, he said. 

    Bernardelli and Conconi did not respond to requests for comment from NBC News. 

    Only some 90 paintings by Caravaggio, who died in 1610 in his late 30s after a turbulent life, were thought to exist. So if proved authentic, the body of work would be worth a enormous amount -- as much as $900 million, some experts estimate.

    But did Bernardelli and Conconi really unlock the secret to the early Caravaggio?

    Luca Bruno / AP

    Tourists visit a yard of the Sforzesco Castle, in Milan, on Friday. The castle hosts an art museum where sketches by mannerist painter Simone Peterzano are preserved. Two Italian art historians claim to have discovered as many as 100 works, most of them drawings, by a very young Caravaggio in the collection long attributed to Peterzano.

    Some said that this is no great artistic find, and was instead a summer hoax.

    "We have known about these paintings for 50 years," Francesca Rossi, Art Curator at the Sforzesco Castle, told NBC News. "Those two historians have never even been at the castle, nor did they see the paintings up close."

    All they did, Rossi said, was to request pictures of the paintings to be sent to them for research purposes.  

    Nevertheless, on Friday the historians published their findings on a two-volume, 600-pages e-book in four languages. (Authors' website)

    Not enough, experts said, to give credit to an extraordinary claim that has the power to rewrite Italian art history.

    The Associated Press contributed to this report.

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    32 comments

    The "Bad Boy of the Baroque" (Caravaggio) would have loved it--especially if it was a hoax!

    Show more
    Explore related topics: art, featured, caravaggio, chiaroscuro, sforzesco
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