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  • 21
    Mar
    2013
    6:18am, EDT

    Dancer claims Bolshoi Theater was 'big brothel'

    Dima Korotayev / Reuters, file

    Russian ballerina Anastasia Volochkova, seen in 2003, claimed dancers would receive a call and be told they were "going to a party and a dinner ending in bed."

    By Vladimir Isachenkov, The Associated Press

    A former prima ballerina at Russia’s world-famous Bolshoi Theater has claimed in a television interview that dancers were essentially used as high-class prostitutes.

    The allegation -- dismissed by the Moscow theater -- was made amid a power struggle for control of the company and in the aftermath of an acid attack in January on the Bolshoi’s artistic director that exposed rivalries reminiscent of the Hollywood movie "Black Swan."

    Former Bolshoi prima ballerina Anastasia Volochkova alleged on Russia’s state-controlled NTV station that the Bolshoi was a "big brothel."

    A Russian ballet star, who is famous for playing villains such as Ivan the Terrible has confessed to masterminding an acid attack on the Bolshoi Ballet's artistic director. Matthew Cain, of Channel Four Europe, reports.

    "An administrator would call them to say they are going to a party and a dinner ending in bed," she said.

    "When the girls asked the administrator what would happen if they refuse, the answer was: You will have problems in the Bolshoi then,” she added.

    Volochkova acknowledged that she herself enjoyed the protection of a billionaire businessman and was fired in 2003 after they separated.

    Venomous
    Volochkova made the claims when she appeared on an NTV show Sunday with principal dancer Nikolai Tsiskaridze, who is vying to take over from the Bolshoi’s General Director Anatoly Iksanov, who has been in the top job for 13 years.

    Both are believed to have backing from senior government officials and Kremlin-connected business tycoons eager to extend their influence over a state theater that has been a symbol of national pride for centuries, and even features on the 100-ruble bill.

    Alexander Zemlianichenko / AP, file

    Bolshoi ballet dancer Nikolai Tsiskaridze is locked in a battle for control of the Bolshoi with its General Director Anatoly Iksanov.

    Iksanov accuses Tsiskaridze of creating an atmosphere of intrigue that set the scene for the Jan. 17 acid attack on the Bolshoi's artistic director.

    Tsiskaridze rejects the claims and in turn points to the attack as evidence that the theater has descended into crime and violence under Iksanov's watch.

    After weeks of increasingly venomous attacks from both sides, Tsiskaridze's star was seen as rising when he grabbed a high-profile platform for his case on NTV.

    The exposure came even as Tsiskaridze has endorsed the grievances of the Bolshoi dancer accused of staging the attack on artistic director Sergei Filin, and defended the dancer in public. Tsiskaridze himself has not been accused of any involvement in the attack.

    On NTV, Tsiskaridze poured scorn on Iksanov, accusing him of botching the Bolshoi's reconstruction, ruining its repertoire and treating dancers like slaves.

    Asked bluntly whether he was ready to take the general director's job, Tsiskaridze answered proudly: "I am absolutely ready."

    More than anything else, the NTV show signaled that Iksanov's job could be in jeopardy.

    The station has often been used to broadcast documentary-style films about Kremlin foes that have often served as precursors for criminal investigations.

    A biting attack on the general director would not have been possible without a blessing from the top ranks of the government. 

    Related:

    Bolshoi's 'Ivan the Terrible' confesses to acid attack on Moscow ballet director

    Bolshoi director leaves hospital, describes 'unbearable' pain of acid attack

    Russia Bolshoi Ballet acid victim: I forgive my attacker

    © 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

    134 comments

    A recent biography of Stalin clearly documented the routine requirement of actresses, dancers and all attractive notable females to be consorts of high communist officials. Rejection of their overtures meant potential exile to the Gulag, a penalty frequently imposed.

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    Explore related topics: russia, theater, moscow, ballet, featured, bolshoi, anastasia-volochkova
  • 6
    Mar
    2013
    6:31am, EST

    Bolshoi's 'Ivan the Terrible' confesses to acid attack on Moscow ballet director

    Russia Interior Ministry Press Service handout, via Reuters

    Pavel Dmitrichenko, seen after his arrest, left, and performing as Ivan the Terrible, right, suggested he had not meant for the attack to go so far.

    By Thomas Grove and Maria Tsvetkova, Reuters

    MOSCOW - A dancer at Russia's Bolshoi ballet who made his name playing villains has confessed to ordering the acid attack that nearly blinded its director. Sources said he was angry that his lover was being kept out of leading roles.

    Pavel Dmitrichenko, who has danced the crazed monarch in Ivan the Terrible and the villain in Swan Lake, was detained on Tuesday over a crime that shocked Russia and blackened the reputation of the world-famous theater.


    Haggard and unkempt, Dmitrichenko was shown in a police video confessing to plotting the attack, in which a masked man threw a jar of sulphuric acid in the face of artistic director Sergei Filin late on Jan. 17.

    "I organized this attack, but not to the extent that it happened," he said, apparently meaning he did not intend the attack go so far.

    Russian police say that 29-year-old Pavel Dmitrichenko, a star dancer with the renowned Bolshoi Ballet, has admitted masterminding the January acid attack on the ballet's artistic director, who suffered severe burns to his hands and face.

    Two other men who had no known connection to the Bolshoi also confessed in the video released by police. One said he had thrown the acid at Filin and the other that he had driven the getaway car.

    LifeNews, a Russian website with close ties to the police, said the suspected attacker, Yury Zarutsky, and his driver Andrei Lipatov were found by tracking cellphone calls made from the crime scene.

    Dmitrichenko, who is in his late 20s, said he had given the reasons for the attack in a written statement to police but did not say what they were on camera.

    A source at the Bolshoi confirmed media reports that the outspoken dancer was angry that his partner, ballerina Anzhelika Vorontsova, had missed out on top roles including the lead in Swan Lake.

    "Filin certainly squeezed out Vorontsova, but that is not a reason to throw acid in someone's face," the source told Reuters on condition of anonymity.

    Russia Interior Ministry Press Service handout, via Reuters

    Andrei Lipatov, left, allegedly drove the getaway car and Yury Zarutsky, right, is accused of carrying out the attack.

    Before flying to Germany for treatment last month to save his sight, Filin, 42, said he believed he knew who was behind the attack and that he thought it was connected with his work. He is recovering and is expected back at work this summer.

    The management of the Bolshoi, which declined to make any comment Wednesday, had been hoping none of the ballet company was involved in the attack as this might limit damage to its reputation and morale.

    Dmitrichenko, born in Moscow to a family of dancers, had been at the Bolshoi since 2002 and was to dance in "Sleeping Beauty" this month. He could face jail and the end of his dance career.

    As artistic director of the Bolshoi's ballet company, Filin had the power to make or break careers in the fiercely competitive world of ballet. Tales of his uncompromising grip on the troupe and his disagreements with dancers have been widely reported in the Russian press.

    Bolshoi Ballet's artistic director, Sergei Filin, recalls the "unbearable pain" from January's acid attack as he leaves a Moscow hospital for treatment in Germany. NBCNews.com's Dara Brown reports.

    Related:

    Bolshoi director describes 'unbearable' pain of acid attack

    Russia Bolshoi Ballet acid victim: I forgive my attacker

    Copyright 2013 Thomson Reuters. Click for restrictions.

    41 comments

    A ballet dancer in a Siberian prison camp? There's a one-episode reality show.

    Show more
    Explore related topics: russia, europe, world, moscow, ballet, featured, acid-attack, bolshoi, sergei-filin
  • 5
    Mar
    2013
    8:26am, EST

    Suspect arrested over Bolshoi acid attack, dancer's home searched

    Bolshoi Theatre ballet dancer Pavel Dmitrichenko performs in "Ivan The Terrible." Police said Tuesday that his home had been searched.

    By Timothy Heritage, Reuters

    MOSCOW - Russian police searched the home of one of the Bolshoi Ballet's top dancers on Tuesday over an acid attack that nearly blinded the troupe's artistic director, and detained a man suspected of carrying it out.

    The coordinated police action was the first sign of progress toward solving a crime that left Sergei Filin, 42, with severe burns after a masked attacker threw a jar of sulfuric acid in his face outside his apartment on Jan. 17.


    The attack has shocked a country used to violent settling of scores and put the spotlight on infighting at one its top cultural institutions. The involvement of any of the artistes would deepen the sense of crisis at the Bolshoi.


    Follow @NBCNewsWorld

    Police said the Moscow home of Pavel Dmitrichenko, a Bolshoi soloist who has been performing the lead role in Sergei Prokofiev's Ivan The Terrible, had been searched but did not say whether the search indicated he was being treated as a suspect.

    It also said an unnamed suspect had been detained in the suburbs of the capital early on Monday and taken in for questioning. Police sources told Russian media that the man was suspected of throwing the acid at Filin.

    "This is good news for us," Katerina Novikova, the Bolshoi Theatre's spokeswoman, said of the suspect's detention.

    "The Bolshoi Theatre hopes that this detention today shows that this crime will be solved because it is very important for us all and we are really hopeful that the mastermind as well as the perpetrator of this crime will be identified."

    But she looked irritated and became defensive when addressing the possibility of divisions in the troupe, saying: "I think the Bolshoi Theatre troupe is waiting for Sergei's return, and loves him and wishes him a speedy recovery."

    Bolshoi Ballet's artistic director, Sergei Filin, recalls the "unbearable pain" from January's acid attack as he leaves a Moscow hospital for treatment in Germany. NBCNews.com's Dara Brown reports.

    She said she did not know the reason for the search of Dmitrichenko's apartment and did not know of any dispute between him and Filin.

    Filin was left writhing in agony in the snow for about 20 minutes after the attack. As artistic director of the theater's ballet company, he had the power to make or break careers in the fiercely competitive world of ballet.

    He said before heading to Germany last month for treatment that is expected to save his sight that he believed he knew who was behind the attack and hinted it might be connected to his work, but refused to give a name.

    Dmitrichenko could not immediately be reached for comment. He has been with the troupe since 2002.

    A masked man threw acid in the face of Sergei Filin, who has been the director of Russia's legendary Bolshoi Ballet company since 2011, last Thursday night, leaving Filin with third-degree burns to his face. Bolshoi insiders say jealousy over roles could be a factor in the attack. NBC's Michelle Kosinski reports.

    The theater has been no stranger to intrigue since it was built under Empress Catherine the Great in 1776 and the ballet troupe has gone through five artistic directors since 1995.

    In 2003, Bolshoi bosses were heavily criticized for trying to fire ballerina Anastasia Volochkova for being too heavy. In 2011, deputy ballet director Gennady Yanin, then seen as a candidate for the artistic director post, quit after pornographic images of him appeared on the Internet.

    The theater, near Moscow's Red Square, reopened to great fanfare in 2011 after a six-year, $700-million renovation that restored its tsarist opulence but was criticized for going far over budget.

    It has frequently been under fire over its artistic program since then.

    Leading Russian cultural figures wrote to President Vladimir Putin last November calling for the dismissal of the Bolshoi's general manager, Anatoly Iksanov. Among his critics are veteran dancer Nikolai Tsiskaridze, who challenged him for his job.

    The Bolshoi dismissed the criticism, saying it failed to take into account the troupe's latest performances.

    Copyright 2013 Thomson Reuters. Click for restrictions.

    35 comments

    what a coward...hope he rots in jail for the rest of his life.

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    Explore related topics: russia, ballet, featured, bolshoi, sergei-filin
  • 18
    Jan
    2013
    3:49pm, EST

    Attacker splashes acid on Bolshoi ballet troupe's artistic director

    Sergei Filin, the artistic director of the world renowned Bolshoi Ballet, was attacked outside his apartment by a masked man who threw acid on his face. NBC's Annabel Roberts reports.

    By Steve Gutterman and Thomas Grove, Reuters

    MOSCOW — A masked attacker threw acid in the face of the artistic director of Russia's prestigious Bolshoi Ballet, endangering his eyesight, in what colleagues said on Friday was the culmination of a two-week campaign of intimidation.

    Sergei Filin, a former leading dancer at the Bolshoi who has been in the high-pressure job at the heart of Russian culture for nearly two years, was attacked outside his Moscow apartment building as he returned home on Thursday night.

    Such is the prestige of Filin's post in Russian life, and its power inside the theater, that stunned current and former colleagues suggested the motive could have been envy, rivalry or even competition for roles.


    Filin, his face covered in bandages with holes for the mouth and eyes, sounded relieved to have survived the attack.


    Follow @NBCNewsWorld

    "I was scared. I thought he was going to shoot me, honestly ... and I turned to run but he chased me down," Filin told Russia's REN TV.

    "He turned and his face was completely covered, either a scarf or some bandage like a mask, only eyes (to be seen)."

    The theater's director, Anatoly Iksanov, had no doubt the attack was aimed at sowing discord in an institution that has rarely been at peace in a history stretching back to the era of Catherine the Great.

    Filin, 42, had reported having his car tires slashed and his emails hacked in recent weeks, as well as receiving repeated nuisance calls from someone who stayed silent when he answered.

    "This two-week campaign has ended tragically and despicably," Iksanov said, adding that the culprit "should be sought among those for whom it was beneficial to compromise the theater leadership".

    War for roles?
    Bolshoi spokeswoman Katerina Novikova had been out with Filin at another theater on Thursday evening and parted with him shortly before the attack.

    "We just never thought that the war for roles - not for real estate, not for oil - could reach such a criminal level," she said.

    Alexander Natruskin / Reuters, file

    Several stars at the Bolshoi have complained about alleged unfair treatment at the hands of Sergei Filin, seen here in 2011.

    Relatives, dancers and theater administrators flocked overnight to the hospital where Filin was being treated, and later gathered at the theater.

    Some suggested that making enemies, or at least generating resentment, was a hazard that came with the post.

    "This person was doing his job," Bolshoi soloist Anastasia Meskova said, choking back tears. "Of course, it's clear that there may have been people who were dissatisfied, but I can't even imagine what would have been the reason (for the attack)."

    Russian media said Filin had suffered third-degree burns and that doctors believed it would take him at least six months to recover.

    Filin told Iksanov he believed he had been followed home, and that the attacker had called his name before throwing acid on his face.

    "There are very serious burns on his face, in his ears, on his forehead, his mouth, and of course there are serious concerns about his eyesight," Iksanov said.

    Channel One television said doctors were "trying to save his eyesight", but Interfax news agency quoted the theater's press office as saying late on Friday he had undergone successful surgery and that a complete loss of eyesight was not expected.

    Filin was to be flown to a burn center in Brussels for further treatment, Novikova said. State television later said it was unclear whether he would be moved there on Friday.

    The Bolshoi, which has both ballet and opera troupes, reopened last February after a six-year renovation to its landmark colonnaded building, close to Red Square in the very center of Moscow.

    Cultural icon
    As a near-mythical icon of Russian culture, it is a magnet for both locals and foreign tourists, and has seen power struggles among both dancers and directors throughout its more than 200 years of history.

    Since the collapse of the Soviet Union in 1991, many of those conflicts, whether driven by egos or artistic convictions, have been played out in public.

    In 2003, Iksanov dismissed ballerina Anastasia Volochkova after reportedly saying she was too heavy for male dancers to lift, and in 2011 a senior ballet manager resigned after a scandal over sexually explicit photographs.

    After the tightly controlled three-decade tenure of Yuri Grigorovich ended in 1995, the Bolshoi Ballet went through five artistic directors before the appointment in March 2011 of Filin, who joined the Bolshoi's ballet troupe in 1988.

    Filin's predecessor Alexei Ratmansky, who is now an artist in residence at the American Ballet Theater, said the attack was "no coincidence."

    In a Facebook posting, he called the Bolshoi a "revolting sewer" plagued by hangers-on, ticket scalpers and "half-crazed fans ready to chew through the throats of their idols' rivals."

    He used the familiar version of Filin's name to end his posting with the words: "Seryozha - the swiftest recovery, and courage!"

    Filin's mother, Natalya, said he had been threatened but that she did not know who could have been behind the attack, according to the RIA news agency.

    "What's important to me now is the health of my son, that he does not lose his eyesight," she said.

    Joy Womack, an American dancer at the Bolshoi, urged "friends, fans and family" on Facebook to "stop what you are doing and pray for Sergei."

    "He was attacked by evil people," she wrote. "Pray that the attackers would be apprehended and dealt with in the severity of the law."

    Related:

    NYT: Sniper kills mobster in busy Moscow street

    Texas teen is 1st American to graduate from top Russian ballet school

    Full Russia coverage from NBC News

    Copyright 2013 Thomson Reuters. Click for restrictions.

    57 comments

    Ballet is a nasty little world all its own. The men and women that live in that realm put up with any number of criticisms and little social tortures from the physical to the psychological.

    Show more
    Explore related topics: russia, moscow, ballet, featured, bolshoi, sergei-filin
  • 7
    Apr
    2012
    10:57am, EDT

    Texan teen to become first American to graduate from premier Russian ballet school

    When Joy Womack arrived at Moscow's elite Bolshoi Ballet Academy at 15, she spoke limited Russian and was one of a number of foreigners allowed to train at the school. Now 17, she is poised to become the first American to graduate from the Russian academy.

    By Irina Tkachenko
    NBC News

    MOSCOW -- Like many of her high school peers in the U.S., Joy Womack keeps an Internet blog and chats with her family on Skype. The 17-year-old devours books on Kindle, listens to music and stresses about end-of-year exams. But this is where the similarities end.

    By the end of May she will become the first American to graduate from the Bolshoi Ballet Academy, arguably the most enviable and demanding choreography school in the world.

    Clad in jeans and a puffer jacket -- too skinny for this blustery Russian spring -- she looks impossibly delicate and long-limbed, even for a dancer, and speaks with sincerity, focus and poise that would be impressive in an adult. And if she is a tad nervous, small wonder. Having lived by herself for three years in Moscow, Russia, some 6,000 miles away from her home in Austin, Texas, Joy is preparing to take her final exams.  

    “Nothing can compare to the rigor and the mental strength it takes to train at the top of our school,” Joy told NBC News.

    Ballet dancers are never late bloomers. By age 15 Joy had already put away years of preparation in prestigious American ballet schools like the Austin School of Classical Ballet and Kirov Academy of Ballet, when she was hand-picked by the Bolshoi Ballet Academy teachers to train in the Russian dancers department for tuition of $18,000 a year. That in itself was a special and unusual honor since the academy has a separate course for foreign students.

    Barely believing her luck -- after all, her love of ballet began with YouTube videos of Russian ballerinas -- Joy left her parents and siblings and boarded a plane for Moscow, in awe of the opportunity of a lifetime.  Little could have prepared her for the change she was about to make.

    “When I first arrived here, nobody had heard of me. Everybody thought, ‘Here is this new American coming into the Russian class,’” she said. “I was put with the graduation class in repertoire ahead of the other girls in my class … that had created a lot of jealousy and a lot of questions.”

    Joy, who did not speak Russian at the time, said she needed the instructors to repeat themselves again and again.

    “It was hard the first six months, because the girls did not want to talk to me, did not want to be my friends,” she said.

    A far cry from America

    The Bolshoi Ballet Academy, also known in Russia as the Moscow State Academy of Choreography, launched in the late 18th century on the order of Russian empress Catherine the Great. Originally conceived as an orphanage, the school has long since established itself as an institution and feeder school for the Bolshoi Ballet troupe, a premier training ground for classical Russian ballet dancers that emphasizes technique and artistic expression. It is rooted in structure and tradition that have outlasted political regimes and many a revolution.

    For Joy, life at the academy quickly proved a far cry from her American routine.  Instruction exclusively in Russian all but assured a language and culture gap too big to tackle quickly. The school's focus on discipline meant dancing up to 10 hours a day, six days a week. It did not matter if you were hurting or sick: you showed up and you danced through the pain.

    A measure of the school's ethos is its strict caps on the students' weight: 96 pounds for those who are 5'6", for instance. Ballerinas tipping the scale at 110 pounds are not allowed to participate in a duet class, but are required to observe it.  In a country that spends most of the year waiting for winter to pass, this schedule meant rarely seeing the light of day. In the middle of December in Moscow, the "day" lasts barely six hours.

    Asked when she saw her family last, Joy paused before replying, “Ten months ago.” That was the only time her dad had been able to come.

    Driven to dance

    Then, of course, there were injuries. Joy had surgery on her foot. She broke her wrist. A torqued back once confined her to bed for two weeks, only to make her write in her WordPress blog.

    "I feel miserable," she wrote, adding that she could not wait to get back to the studio.

    When asked what keeps her going, Joy didn’t wait to consider the answer.

    “In order to cope with my rigorous training schedule, my long days I mostly depend on good food and … really the knowledge that after I get through this, I’ll be able to take on anything,” she said. “Of course, there are always those hard moments, especially here in Russia, where in winter it’s really hard … It seems so difficult to keep going. In those moments I rely on God, I rely on Jesus.”

    She does not mention passion. But then, you can see it in her dance.

    To connect to the outside world and to hold herself "accountable" Joy answers dozens of queries from American fans on her blog. “What do you do not to lose trust in yourself when you think you're no good...?” asked one in an obvious moment of self-doubt.

    And from across the Atlantic came the answer from Joy, meant, it seemed, as much for herself as for the person asking:

    "Instead of getting upset or depressed if something does not go as you thought it would, God always opens another door. Even if it takes you awhile to find a light switch.”

    Blood, sweat, tears, fatigue: 'it is worth it!'

    Last December the Bolshoi Ballet Academy showed "La Fille Mal Gardee," one of its signature productions, on the venerable stage of the Bolshoi. It was pronounced best student show in the theatre and landed the school an award from the Russian government (Prime Minister Vladimir Putin was on hand to honor the occasion). And Joy? She danced the lead. A month before she had won the "Youth America Grand Prix" in Paris. 

    Today Joy speaks fluent and lively, if a bit accented, Russian. She treasures the bond she formed with her Russian ballet teachers and adores them for their "tough love" and dedication to her.  She has found her friends, though she once wrote the best one of them may still be the Internet.

    Time is a precious commodity, and free time almost nonexistent. 

    After she completes her state exams in all subjects: acting, classical ballet, character dance, and duet, Joy will dance in one final performance with the Bolshoi Ballet Academy, the lead in "Paquita." Then, after graduation in May, the nerve-wracking wait: will the Bolshoi come calling to invite her to its regular troupe? Joy will find out the answer having barely turned 18. 

    "A dancer is honest with themselves and faces their flaws and imperfections in the mirror and chips away at them,” she wrote online. “Behind the love is blood, sweat, tears, stress, fatigue! But it is worth it!" 

     

     

    190 comments

    Just like Van Cliburn did with the piano, this little lady is for ballet. More power to her!

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