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  • 12
    Oct
    2012
    9:07am, EDT

    Mo Yan's Nobel win celebrated -- and panned -- in China

    Wang Wei / EPA

    Nobel Prize-winning writer Mo Yan holds a press conference in his hometown of Gaomi, in China's Shandong province, on Friday.

    By Ed Flanagan, NBC News

    BEIJING -- State media gave the official stamp of approval Friday over the decision to award the Nobel Prize for literature to Chinese novelist Mo Yan, giving him front-page coverage across the country.

    The warm coverage of the award is unsurprising considering the prestige and recognition that China's ruling Communist Party will collectively bask in as a result.

    But in another sense, the warm reception for the awarding is striking considering the anger and hysteria drummed up by Beijing following the 2010 awarding of the Nobel Peace Prize to imprisoned political dissident, Liu Xiaobo.


    In the two years that have followed Liu’s win, which was heavily censored in state media, China has maintained a chilly relationship with the Nobel committee and its home country of Norway. Meetings with Norwegian ministers and trade delegations have been canceled and important talks regarding the eventual opening of the Arctic Sea route have been halting.

    China even went so far as to develop its own ill-fated peace prize, while exports of Norway’s famed salmon fell victim to the frigid political atmosphere between the two countries.

    China’s first Nobel-winning writer?
    But Mo’s victory seems to have thawed the relationship long enough for China to celebrate the writer, who state media has hailed as the country’s first winner of the prize.


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    "This is the first Chinese writer who has won the Nobel Prize for Literature," gushed China’s People’s Daily newspaper. "Chinese writers have waited too long, the Chinese people have waited too long."

    But critics of the Communist regime point out that Gao Xingjian, who won in 2000 in part for his critical writing of the government, was China’s first winner of the Nobel for literature. He had been exiled to France by the time the prize was awarded.

    Mo Yan, which means "don't speak," is actually a pen name. The 57-year-old Mo's real name is Guan Moye.

    Mo has been favorably compared to American author William Faulkner and is perhaps best known in the West for his 1987 book, Red Sorghum. That book heavily relied on his experience growing up in a farming community in China's northeastern province of Shandong.

    That honest connection to the rural experience has been a central thread through much of Mo’s writing, according to Dai Wei, a professor of literature at China’s Jinan University.

    Special coverage of China: Behind the Wall on NBCNews.com

    "Mo's topics are typically about rural life and his own life experiences, his stories are very close parallels to the real circumstances he lived through," Dai told NBC News. "He often writes about suffering. ... Some people think he glorifies suffering for Westerners, but everything he writes is based on real experience."

    'The dark side of society and the ugliness of human nature'
    Mo latest book, Frog, tells the dark story of a midwife who enthusiastically goes about her work enforcing China’s family-planning laws through forced abortions and sterilizations. The story, a searing critique of China’s one-child policy, won China’s Mao Dun Literature Prize last year.

    "A writer should express criticism ... at the dark side of society and the ugliness of human nature, but we should not use one uniform expression," Mo said in a speech at the 2009 Frankfurt Book Fair.

    Chinese author Mo Yan wins Nobel Prize in literature

    But despite the critical and popular acclaim and Mo’s willingness to confront sensitive social issues in China, Mo’s victory has not come without criticism.

    “Giving the award to a writer like this is an insult to humanity and to literature,” declared noted Chinese artist and activist, Ai Weiwei to the British newspaper The Independent. "It’s shameful for the committee to have made this selection which does not live up to the previous quality of literature in the award."

    Ai’s diatribe toward Mo appears to be rooted in part to his work on a book last year to celebrate the 70th anniversary of a speech given by Mao Zedong.

    More book reviews and news on TODAY.com

    Mao’s speech, known as the "Speech at Yan’an Forum on Art and Literature" set the guidelines for appropriate subject matter for Chinese writers and artists of that revolutionary period, calling upon them to focus on and espouse the merits of Communism and threatening punishment to those who did not bend to the will of the party.

    Mo Yan and around 100 other Chinese writers and artists hand-copied paragraphs from the speech for the book.

    Criticism
    That act, in conjunction with Mo’s position as vice chairman of the government-backed Chinese Writer’s Association, which has failed to voice support toward fellow writer Liu Xiaobo’s Nobel Peace Prize victory, has raised the ire of artists like Ai who wonder just how committed Mo Yan is to free expression.

    Complete Asia-Pacific coverage on NBCNews.com

    After all, critics argue, if a Nobel Prize-winning author with a leadership position in the national writing guild fails to stand up for a fellow artist, then who will?

    Not fair, said professor Dai.

    "I don’t agree with Ai Weiwei, it's just his personal opinion," said Dai. "People have different values, so they evaluate people differently. I think Mo Yan is a great author and Mo Yan is prized by the Nobel Prize council."

    Perhaps sensing the backlash against him, Mo spoke out Friday afternoon from his hometown. Mo told reporters he hoped that Liu Xiaobo "can achieve his freedom as soon as possible." He also noted that he had read Liu’s literary criticisms from the 1980s and that the dissident had the right to research his "politics and social system."

    Complete World coverage on NBCNews.com

    Other supporters of Mo have also came to his defense, noting that many of his books have been banned in China and that the Nobel victory will help put Chinese literature on the map.

    But few believe that the victory will help put Liu Xiaobo back on the map in China, where his victory is still not acknowledged by the government. Liu’s name and the term "Nobel Peace Prize" remain blocked terms on China’s twitter-like service, Weibo.

    Just this week, a BBC report on Liu’s imprisonment noted that the activist and his wife, who remains under illegal house arrest, have been facing extraordinary pressure to accept exile from China in exchange for their freedom.

    NBC News' Johanna Armstrong and Yanzhou Liu contributed to this report.

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    7 comments

    At least it was awarded for something the writer actually wrote as opposed to a peace prize for campaign promises.

    Show more
    Explore related topics: china, nobel, literature, beijing, featured, ai-weiwei, gao-xingjian, liu-xiaobo, ed-flanagan, mo-yan
  • 15
    May
    2012
    4:58pm, EDT

    Globally acclaimed Mexican novelist Carlos Fuentes dies

    Alfredo Estrella / AFP - Getty Images

    Mexican writer Carlos Fuentes takes part in a tribute to Mexican writer and anthropologist Fernando Benitez (1912-2000) at the Fine Arts Palace in Mexico City, on Dec. 18, 2011.

    By msnbc.com news services

    Novelist Carlos Fuentes, one of Latin America's most eloquent and widely read authors and a fierce critic of governments, has died after a literary career spanning more than five decades. He was 83.

    Fuentes' best-known works include "The Death of Artemio Cruz,'' "The Crystal Frontier'' and "The Old Gringo," which was made into the 1989 movie by the same name starring Gregory Peck and Jane Fonda.

    Local media said Fuentes died in a Mexico City hospital on Tuesday following heart problems.


    Dividing his time chiefly between Mexico City and London, Fuentes dovetailed literature — writing more than 30 books that have been translated into two dozen languages — and social observation throughout his career.

    Fuentes, an "elegant public intellectual and grand man of letters," as the New York Times obituary describes him — helped spark the explosion of Latin American in the 1960s and 70s known as "el boom" along with Colombia's Gabriel García Márquez, Mario Vargas Llosa of Peru and Argentine Julio Cortazar.

    In the 1980s he was a frequent critic of U.S. intervention in Central America and lambasted the effects of U.S. immigration policy on Mexican migrant workers in his mid-1990s novel, "La Frontera de Cristal'' (The Crystal Frontier).

    "They know they need migrant Mexican labor, without which their harvests, services and many aspects of life would go to ruin,'' Fuentes once said, calling U.S. policy a farce.

    Fuentes also became one of the most open critics of Mexico's entrenched political system under the Institutional Revolutionary Party, which ruled Mexico for 71 years before it was ousted in 2000 elections.

    Mexican President Felipe Calderon and other political and cultural leaders quickly paid tribute to Fuentes on Tuesday.

    "I profoundly regret the death of our beloved and admired Carlos Fuentes, writer and universal Mexican,'' Calderon wrote on his Twitter account.

    Fuentes' critical eye was at work from the start of his career. His first novel in 1958, "La region mas transparente'' (Where the Air is Clear), was not only a look at life in Mexico City, now ironically one of the most polluted in the world. It also examined how the Mexican Revolution of 1910-1917 had created a new and wealthy elite but did nothing for the impoverished and indigenous masses.

    Born in Panama in 1928, Fuentes divided his early years among the United States, Chile and Argentina, following his father's diplomatic postings before going on to study law.

    In an interview with the Academy of Achievement, Fuentes explained how his life growing up as the child of a diplomat pushed him in the direction of writing.

    "As a little boy, I read a lot," he said. "That was solitary in a way, because I knew my friends wouldn't last more than two or three years, then another change, new friends. So I had to build my own inner world through reading, movies, radio at the time."

    Reuters contributed to this report

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    Follow Kari Huus on Facebook 

    12 comments

    thoughout Mobilhome Parks across Alabama, upon hearing of his death on CBS News...was heard the following.... - "Hey Darlin, git me nother Beer, woodja?" - "No...No Duke... off the couch!!! BAD BOY" - "Recon we gots one less Mejikan to worry bouts" - "Emma, git yer pants on.. we're goin ta Golden Co …

    Show more
    Explore related topics: mexico, literature, authors, carlos-fuentes, kari-huus

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